![]() There were many things that really defined that strange, pubescent decade. ![]() This time, we delve into the strange world of David Lynch’s mind, attempting to make sense of things along the way.Īh, 1990. By the final post of a retrospective, there will be a better understanding of the filmmaker in question, the central themes that connect his/her works, and what they each represent within the larger context of his/her career. Definitely it would be the worst movie for those interested in entering Lynch's filmography, although fans of the director will not only know what to expect from this feature-length film, but will also see his most ambitious, grotesque, sublime, and deliciously confusing and impenetrable work.The Movie Mezzanine Filmmaker Retrospective series takes on an entire body of work–be it director’s, screenwriter’s, or otherwise–and analyzes each portion of the filmography. The result is a challenging three-hour footage that follows a similar line to 'Por el lado oscuro del camino' ('Lost Highway') and 'Sueños, misterios y secretos' ('Mulholland Drive') -unofficially forming the 'Trilogía de Los Ángeles'-, interweaving various nightmarish stories whose relationships between them are abstract at best, filmed in digital video format that exalts its delirious aesthetics. ![]() It is also David Lynch in his most "lynchian" mode, offering here what appears to be a story of an actress (Laura Dern) who, when submitting to filming the remake of an unfinished and supposedly cursed movie, gradually loses her contact with reality. David Lynch 2006 With totally and absolutely surreal aspirations that discard all traditional narrative logic, 'El imperio' ('Inland Empire') is, so far, the last feature-length film by David Lynch ('Eraserhead').
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